Blogger’s Note: Despite losing 41 million (killed and wounded) following the devastating invasion perpetuated by Nazi Germany and its allies (1941-1945) – the USSR managed to rebuild itself and lead the world in space exploration. Another area that interested the USSR was the development of a post-colonial Africa – which had suffered untold devastation after centuries of European invasion and exploitation. Whilst providing advisors, raw materials, and billions of aid in the form of cash (roubles) – the USSR led the world in assisting “Black” Africa back onto its feet again. (Today, this role has been overtook by China – although modern Russia has assisted in wiping-out owed historical debt). During 1984-1985, the US and its conies in the capitalist world decided that some type of “token” response was needed in the West to give the false impression the bourgeoise a) cared, and b) wanted to help Africa. Although premised upon a racist self-delusion, Bob Geldof and the shallow music industry set about manipulating the youth (and their paying parents) into attempting to reduce famine and war by way of a catchy tune and a right-on music festival! The resulting Single and Pop Music Events raised around £10 million – which is nothing but a tiny drop in the ocean when it comes to the economic repairing of an exploited Continent! By the time all the expenses were met, aid on the ground was reduced to a few mealy-sacks given-out in-front of a BBC film crew. Starving Black children were filmed – whilst a musical score was superimposed over their suffering – all designed to emotionally manipulate viewers (sat in their comfortable Western homes) to donate money over the telephone. Adult Africans were depicted as being incapable of solving their own problems, or possessing the ability to exercise self-determination. During this time, Whilst the White West collectively deluded itself, Black athletes competing on the world stage would refuse to shake-hands with their White colleagues – or be filmed together in a bid to avoid this trap. It would seem that in the intervening 40-years, Bob Geldof has failed to realise what it took Ed Sheeran to learn in just ten. ACW (25.11.2024)
Updated / Sunday, 24 Nov 2024 15:28
Bob Geldof has said his Band Aid charity single has “kept millions of people alive” after a new 40th-anniversary version of Do They Know It’s Christmas? faced criticism.
To mark the song’s milestone, a remix has been created that blends the voices of artists who have featured on previous editions including Bono, Harry Styles, and the late George Michael.
Ed Sheeran said last week that he was not asked for permission to re-use his vocals from when he sang on Band Aid 30 in 2014 and that he would have “respectfully” declined the request.
The singer-songwriter said in a social media post that “a decade on and my understanding of the narrative associated with this has changed”, citing a post by British-Ghanaian rapper Fuse ODG that criticised foreign aid in Africa.
Responding to the comments in an interview with The Sunday Times, Geldof said: “This little pop song has kept millions of people alive.
“Why would Band Aid scrap feeding thousands of children dependent on us for a meal?”
He added: “Why not keep doing that? Because of an abstract wealthy-world argument, regardless of its legitimacy?
“No abstract theory regardless of how sincerely held should impede or distract from that hideous, concrete real-world reality.
“There are 600 million hungry people in the world – 300 million are in Africa. We wish it were other, but it is not.
“We can help some of them. That’s what we will continue to do.”
Fuse ODG said in an Instagram Story post that he had turned down the chance to take part in Band Aid 30 alongside Sheeran a decade prior.
“I refused to participate in Band Aid because I recognised the harm initiatives like it inflict on Africa,” he wrote.
“While they may generate sympathy and donations, they perpetuate damaging stereotypes that stifle Africa’s economic growth, tourism, and investment, ultimately costing the continent trillions and destroying its dignity, pride, and identity.”
He added: “By showcasing dehumanising imagery, these initiatives fuel pity rather than partnership, discouraging meaningful engagement.
“My mission has been to reclaim the narrative, empowering Africans to tell their own stories, redefine their identity, and position Africa as a thriving hub for investment and tourism.
“Today, the diaspora drives the largest flow of funds back into the continent, not Band Aid or foreign aid, proving that Africa’s solutions and progress lies (sic) in its own hands.”
In another post, he said they welcomed anyone “genuinely trying to support the continent”, but it needs to be “a spirit of collaboration not patronisation, solidarity not charity”.
Band Aid’s latest track blends voices from Band Aid (1984), Band Aid 20 (2004), and Band Aid 30 (2014) and has been produced by Trevor Horn, who has worked with the likes of Grace Jones and Rod Stewart.
The compilation is backed by the Band Aid house band of Paul McCartney, Sting, and John Taylor (bass); Phil Collins, Roger Taylor, and Danny Goffey (drums); Thom Yorke (piano); and Paul Weller, Damon Albarn, Midge Ure, Jonny Greenwood, Gary Kemp, and Justin Hawkins (guitar).
The original Band Aid single saw artists join forces in 1984, led by Boomtown Rats frontman Geldof and Ultravox’s Midge Ure to help charities working with starving children in Ethiopia.
Reflecting on the original single’s success, Geldof told the newspaper: “For us to top the charts, we sold 620,000 copies.
“Will this new version make anything like that one? No, because there are no f****** record shops. If we have 620,000 hits on Spotify, what will that make? Literally a quid?”
Despite feeling like it is now a “febrile world”, he does not feel defeated in his pursuit to help.
“I can guarantee your personal action here will result in a kid sleeping warmer, fed that night,” he said.
“This is one issue in which you have power. You get to tilt the world a fraction – and I know: ‘Here is f****** Geldof banging on’.
“But the instrument of this control, as corny as it may sound, is this thing – this OK tune.”
Do They Know It’s Christmas? – 2024 Ultimate Mix will premiere on radio and streaming on 25 November – across over 30 radio stations in Ireland at 8:35am – and will be released physically on CD and vinyl on 29 November.
Source: Press Association
SANGHA KOMMUNE (SSR) 