The ‘Budokan’ and Doing ‘A Beatles’! (29.3.2023) 

John Lennon had been to Japan with the Beatles about five months before he met Yoko Ono in New York. The Beatles made their first visit to Asia at the end of June 1966. They played two televised Concerts at the ‘Budokan’ on June 30th and July 1st, 1966. This is actually the ‘Nippon Budokan’ (日本武道館) located in the heart of Tokyo. The name means ‘Japan Martial Arts Training Hall’ and this venue was built and opened in 1964. Although Japan was still officially ‘Occupied’ by the US Military until 1972 (following Japan’s Unconditional Surrender during late 1945) – the Americans tolerated a certain level of right-wing Japanese ultra-nationalism amongst the population – providing it was contained to being aimed at Communist China. Yoko Ono’s family is said to have been supportive of this ‘racist’ ultra-nationalism – which she rebelled against by having relationships (and children) with ‘White’ men. At one point, Yoko Ono even allowed her husband to have an 18-month affair with his ethnic ‘Chinese’ secretary – the American-born May-Pang (龐鳳儀 – Pang Feng Yi). 

Film Analysis: The Strays (2023)! 

The central character of this film is a ‘Black’ woman whose history as a human being has obviously involved ‘mixing’ of various forms experienced by her ancestors. To what extent this has happened is a matter of debate and is certainly not discussed in the film, but the reality of her two original (biological) children being African looking suggests that the central character possesses genuinely ‘African’ genes and that the father of her children was also ‘Black’, etc. Indeed, her ‘Black’ children are a shocking contrast to the ‘White’ (middle-class) society she has infiltrated – particularly when compared to her ‘new’ children produced with her ‘White’ husband! Through their uncompromising attitudes and violent behaviour – her original ‘Black’ offspring are presented as positively ‘demonic’ – and it cannot be doubted that the writer of the film must have intended this to be the case! Again, playing upon ‘White’ sensitivities and ‘Black’ experience. The Bourgeois Establishment, as is usual for its double standards, has tended to avoid virtually any of the above issues, and instead has limited the assessment of this film to being that of a run of the mill script with no reality beyond the surface presentation! This may be termed a typical ‘White’ response of ‘denial’ when confronted with the progressive dynamics of Black intelligence!

William Burroughs – My Lunch is Naked – So What? (21.2.2023)

For instance, William Burroughs (in his masterpiece ‘Naked Lunch’) argues that male homosexuality is a product of Matriarchy – whereby women ‘influence’ men (through a sort of cultural ‘osmosis’) to take on a female sexual orientation. Women deny they are doing this, of course, whilst perpetuating the camouflaging myth that they are the ones being oppressed by male ‘Patriarchy’ – the very attribute combined womanhood is destroying through this ongoing effeminate re-programming of men. The Bourgeois State accepts this female-concocted surface argument as a means to avoid acknowledging the real causes of Gayness, or the further suggested idea by William Burroughs that much of what passes as ‘deviant’ sexual behaviour in a post-industrial society (as decreed by the Bourgeois State and enforced by reactionary elements of the working class) – exist because those participating in such activities find them enjoyable and fulfilling.

When ‘Woke’ is NOT ‘Awake’! (15.2.2023) 

Today, the US is spreading its anti-intellectualism across the globe through the policy of ‘constraining’ how the internet is used. Where the internet is not operational, the US achieves the same effect through military boots upon the ground! Whereas the internet ‘bans’ those who do not conform to the auspices of US anti-intellectualism – the US military simply ‘kills’ those who do not conform. Being ‘woke’ – that hideous US construct – is really the Trotskyite left (which is actually of the right), dominating and controlling the political and cultural narratives operating Bourgeois within society. The far right, and right-wing accuse the ‘woke’ fraternity as being the archetypical ‘left’ – and limit all political critique to its machinations! This policy is a sleight of hand which excludes the genuine Marxist-Leninist left completely from of the picture. The mainstream is convinced that a stratum of the Bourgeoisie is in fact the ‘left-wing’ and that no other leftist interpretation exists (or is allowed to exist). This policy has been so successful that many Socialist and Communist groups exist to reinforce this stereotype and conform fully to this Bourgeois manipulation of history and historical interpretation. This is how the Bourgeoisie controls and limits the political debate within the societies it controls. By misrepresenting the left, the Bourgeoisie prevents any genuine ‘Socialist’ movements from developing and privileges the ‘Trotskyite’ movement and advocates these groups as being the only acceptable expression of the left. This ‘rejection’ and ‘misrepresentation’ of Marxist-Leninism becomes the only allowable expression of ‘Marxist-Leninism’! Pay no attention to the man behind the curtain!