“THE FATAL FLAW, by Chris Allen, 1982, a Saturday Night Theatre with Martyn Read and Margaret Robertson. A history teacher in a secondary school hears that his second novel has failed to sell. But a series of chance encounters puts him in touch with a pushy American publisher who wants a 10 million dollar blockbuster on her books. They meet, and strike a deal. Does he have the talent and the temperament to deliver the goods? The story is full of surprises, with a nice twist at the end, in the best R.D.Wingfield tradition.“
A masterful exploration of how the spread of US hegemony and neo-imperialism seeps into, destroys and ultimately replaces the historical culture of (indigenous) British culture and identity. The agency for this explanation surrounds the UK publishing industry in the light of a hostile US take-over and its subversion due to the auspices of US anti-intellectualism and the triumph of superficial style over substance. The British Historian and author – Matthew Bradford – is replaced by the US-publishing construct of ‘Matt Brand’ – whose father was a “Shepherd who looked after sheep…” – whilst his mother was a “Māori Medicine Woman!”
All this manipulation is masterminded by US Publishing Guru – Marlene Shapiro (an American of Jewish descent). The psychological, emotional and physical manipulation is astonishing – and it is emblematic of how the culture of the UK is being slowly taken-over and destroyed by creeping US control and usurpation. Although the US military has killed around 30 million people around the world since 1945 – in the spreading of its cultural and economic system – a UK Defence Journal today fed a puff-piece story to the British population stating that a US warship “protected” British warships during a supposed dangerous situation entirely of the making of US aggression and militarism!
SANGHA KOMMUNE (SSR) 