Russia: The Enigma of the Asiatic Giant Shigir Idol (Большой Шигирский идол) – Where Ancient Russians Really Seventeen-Feet Tall? (12.3.2023) 

I have heard a number of Slavic academics stating that they believe that some of the patterning on the exterior of the Great Shigir Idol constitutes a written ‘language’. If correct, this finding would constitute the world’s ‘oldest’ written language! I am not adverse to this idea and I believe such a suggestion requires further investigation! Based upon the mythology of the Ugrians, Natalia Chairkina sees in these images a reflection of a vertical model of the universe logically divided into the Upper, Middle and Lower worlds (similar to the ‘trigram’ and ‘hexagram’ of the Chinese book ‘Classic of Change’) – which accommodate seven spheres of empty space. Archaeologist Peter Van Petersen of the National Museum of Denmark has suggested that the idol may have served as a warning at the border of a forbidden territory to scare off invaders or undesirables – or to test the courage of an individual or group. A number of Archaeological experts also note the similarity of design with the monumental stone ruins in Göbekli Tepe in Turkey (which is of a similar age). As many of the marking are both difficult to see and ambiguous in design – it is currently very difficult to produce a definitive interpretation. The best policy is for everyone to ‘look’ at this remarkable structure themselves – and up their own mind. Conventional science has already proven its improbable age! Let’s follow Lenin’s example and sit in our kitchens and ‘think’ great thoughts!

Huey P Newton

Everyone Should Study Huey P Newton! (10.3.2023)

On the other hand, I think it is important that I do not deny my ‘Blackness’! I say this regardless of how many might think I ‘look’ – I am ‘Black’ end of story. Many would find the true story of my life surprising. We live in a Bourgeois (White) would of domination, injustice and oppression! Oneday, following a ‘Socialist’ Revolution – this situation will be over-turned and we will hold these ‘Criminals’ (who make our lives a daily misery) to account and ‘try’ them for their crimes! Until that day, correct-thinking (and oppressed) ‘Whites’ – all ‘Blacks’ and every Asian person – must ‘unite’ and gain strength from an unbreakable ‘Solidarity’ that cannot be broken! We must gather our strengths and use this strength positively – and not waste it colluding with the ‘White’ Bourgeoisie – or fighting the ‘White’ Bourgeoisie in an unproductive manner!

Children of Men (2006) Film – ‘Revolutionary’ Stills! (9.3.2023)

The ‘Hammer & Sickle’ ‘picture derives from a ‘deleted’ scene found on one of the older blu-ray versions of this ‘Children of Men’ Movie. Although I have not had time to check – I am told that on the same scene in the ‘released’ film – the ‘Hammer & Sickle’ is removed! The exact same wall (together with ALL its peculiarly ‘British’ Revolutionary graffiti – and actors meandering around) is present – but the area above the two human heads is now ‘blank’! If I have time, I will confirm this and perhaps add a photograph of the same wall minus the ‘Hammer & Sickle’! Perhaps this omission is the ‘spirit’ of PD James making itself felt after-all – or the Bourgeois State is so afraid of our working-class symbols that they must be ‘removed’ from public display at all costs! After-all, Neo-Nazi Ukraine – along with the many other US-backed Hitlerite States throughout Eastern Europe – has ‘banned’ the Red Flag and the ‘Hammer & Sickle’, wrongly equating these Proletariat objects with ‘Russia’!

The Disturbing Case of PD James: Children of Men (1992) [4.3.2023] 

She does imply the developing world, however, by conceding (near the beginning of the book) that a baby may have been born ‘in a hut somewhere’ which nobody bothered to notice – not long after sterility levels began to dramatically rise (an event she imagines happening in 1995 – or the ‘Year Omega’ – when she lets her Judeo-Christian bias shine through). Typical of the Bourgeois attitude – other classes (and races) are viewed as inconvenient necessities that exist to fetch one’s bags and mix gin and tonics! PD James was a parody of what she actually was. She epitomises the delinquent and contradictory attributes of the Bourgeoisie. As Marx states in his ‘The German Ideology’ – when the Bourgeoisie make the workers starve (by withholding food) – the Bourgeoisie blame the workers for daring to be ‘hungry’! When a worker falls from a height and breaks his neck (due to a lack of ‘safety’) – the Bourgeoisie does not blame the incident upon the presence of gravity – but rather upon the worker not possessing wings!

How ‘Socialist’ Star Trek was Hijacked by Bourgeois America! (3.3.2023) 

The Socialist spirit of scientifically driven exploration has been replaced by the expansion of US political and military hegemony. The absence of opposition to this expanding US dominance is termed ‘peace’. In other words, where Roddenberry’s original Star Trek told the story of an unknown theoretical future, the Star Trek of today has become a multifaceted vehicle for the expression and endorsement of the politics and culture of contemporary America! Every new culture and species must bow down to the all-conquering Federation (NATO) and alter their way of life to ‘fit-in’ or face the consequences. Even some of the Black actors who play prominent roles in the new plethora of Star Trek mimicry – wear skin lightening make-up. Obviously, the White America that has now co-opted Star Trek – has liberated these actors from their ‘Blackness’ – all part of the benefits of living in a multicultural society. 

Film Analysis: The Strays (2023)! 

The central character of this film is a ‘Black’ woman whose history as a human being has obviously involved ‘mixing’ of various forms experienced by her ancestors. To what extent this has happened is a matter of debate and is certainly not discussed in the film, but the reality of her two original (biological) children being African looking suggests that the central character possesses genuinely ‘African’ genes and that the father of her children was also ‘Black’, etc. Indeed, her ‘Black’ children are a shocking contrast to the ‘White’ (middle-class) society she has infiltrated – particularly when compared to her ‘new’ children produced with her ‘White’ husband! Through their uncompromising attitudes and violent behaviour – her original ‘Black’ offspring are presented as positively ‘demonic’ – and it cannot be doubted that the writer of the film must have intended this to be the case! Again, playing upon ‘White’ sensitivities and ‘Black’ experience. The Bourgeois Establishment, as is usual for its double standards, has tended to avoid virtually any of the above issues, and instead has limited the assessment of this film to being that of a run of the mill script with no reality beyond the surface presentation! This may be termed a typical ‘White’ response of ‘denial’ when confronted with the progressive dynamics of Black intelligence!

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