When photographic technology first entered China during the mid-19th century (from Europe) – the circumstances that surrounded this event were far from pleasant. Photography historian and author of “Oriental Photography Notes” – Na Mo Ai (南无哀) – said, “The Opium War was the cue for Western photography to invade China”— In 1844, the French Labignie Mission visited China and forced the Qing government, which had suffered defeat in the First Opium War (agaunst England), to sign the (Unequal) “Sino-French Whampoa Treaty”. During the negotiations, the Mission’s “Customs Officer” (Jules Itier) summoned the Chinese Representative (who was in fact ethnic “Manchurian”) – Governor-General Qiyang (耆英) [1787-1858] of Liangguang (Minister of Commerce for the Five Ports) – where his presence was recorded at the meeting thruogh the taking of a “photograph”. The above front-face “portrait” of Qiyang is believed to be the first modern “photograph” taken on the Mainland of China.
