Proletariat Blogging in the Heart of (UK) Predatory Capitalism! Exploring the Interface between Matter and Perception, Chinese Buddhism, Daoism, Hakka Ethnography, and All Aspects of Radical Politics, History, Psychology and Philosophy – 全世界无产者联合起来!
Leave me alone! Look at my bone! Come near – but watch out for my bad snatch-itude!
(Knock drums over)
We will raise hell wherever we are! It doesn’t matter where!
Don’t talk at me whilst I pee! English punk is full of c’nt! Talk out of your punk! The only language I understand! Other than Anustani!
Get back to where you are coming are from! The Beatles were racist – but not me!
Fuck, fuck and fuck! There, that should do it! I need a nap now – I’m 66 and tired of impersonating The Clash!
I have heard a number of Slavic academics stating that they believe that some of the patterning on the exterior of the Great Shigir Idol constitutes a written ‘language’. If correct, this finding would constitute the world’s ‘oldest’ written language! I am not adverse to this idea and I believe such a suggestion requires further investigation! Based upon the mythology of the Ugrians, Natalia Chairkina sees in these images a reflection of a vertical model of the universe logically divided into the Upper, Middle and Lower worlds (similar to the ‘trigram’ and ‘hexagram’ of the Chinese book ‘Classic of Change’) – which accommodate seven spheres of empty space. Archaeologist Peter Van Petersen of the National Museum of Denmark has suggested that the idol may have served as a warning at the border of a forbidden territory to scare off invaders or undesirables – or to test the courage of an individual or group. A number of Archaeological experts also note the similarity of design with the monumental stone ruins in Göbekli Tepe in Turkey (which is of a similar age). As many of the marking are both difficult to see and ambiguous in design – it is currently very difficult to produce a definitive interpretation. The best policy is for everyone to ‘look’ at this remarkable structure themselves – and up their own mind. Conventional science has already proven its improbable age! Let’s follow Lenin’s example and sit in our kitchens and ‘think’ great thoughts!
One is left with the distinct impression that Priest truly believes that if his version HG Wells classics were published in the 1880s – well-bred young men would be masturbating everytime there is mention of Amelia’s exposed ankles- to the back drop of a Martian invasion of Earth and nutty Professors who have convinced themselves that their ‘Time’ machine (which is only secondarily a ‘Space’ machine) is ‘not quite there’ whilst it l supposedly lays shimmering in and out of material existence whilst inhabiting a study in Richmond! Those motoring goggles may well come in handy yet – and not necessarily for motor driving! As Priest penned this tome in 1976 – he was probably influenced by the highly successful British science fiction series of ‘Dr Who’ (that also possessed an advanced machine – the ‘TARDIS’ – which funnily enough could also travel in both ‘time’ and ‘space’) and was reaching its creative peak with the actor – Tom Baker – at the helm! More to the point, the ‘love’ scenes, if we can call them that, seem as if the author quickly threw the two Wells novels together, and then realised his caper was up if he did not attempt to go back and at certain random points in the story literally ‘insert’ obviously ‘out of place’ amorous interactions to act as a type Pythonesque ‘camouflage’ – in the hope that the distraction will draw the attention of the audience away from the fact that the book contains ‘zero’ originality and no genuine labour on his part! If anyone does happen to invent a genuine time machine, perhaps the top of any list might be the necessity to go back to 1976 and hide all the pens in the Priest household – and thus save humanity from a genuine catastrophe!
‘VIZ’ the satirical magazine ‘might’ or ‘might not’ publish my excellent work – but I always go one step further and actually publish it anyway! When ‘VIZ’ cronies come sniffing around for ‘copyright’ violations – I link each of my entries to the ‘current’ edition of ‘VIZ’ – FREE OF CHARGE!
In 2018, I asked Peter ‘John’ to carry-out a ‘Psychic Art’ reading ‘at a distance’ as I was in Sutton (South London) and he somewhere
Dear Gilliian Clarity and insight (this will make sense when you finish reading). You exhibit a cultural habit that is probably instinctive but manifests regularly.
SANGHA KOMMUNE (SSR) 