Virtually Attending a GG Allin Concert (1991)! (27.4.2023) 

Perhaps underrated and virtually forgotten (as GG Allin rolls around on broken glass, sh’t, vomit and his own blood – whilst ‘shouting’ incoherently into a mic) is the staying power of his backing group! They soldier on playing the drums and guitar – whilst stagehands keep an eye on the violence by regulating its intensity – ensuring GG Allin is not overwhelmed by multiple opponents or beaten too far into unconsciousness (as there is a show to perform)! GG Allin certainly seems to take a good shot and always comes back for more whilst serenely detached from the events he is the centre and has unleashed. Occasionally, the drummer has to stand the cymbal back up or realign the bass drum with the snare, etc, sometimes continuing to bang away with a single drumstick whilst these adjustments are made, and prostrate bodies cleared away from the working area! The guitarist seems to think he’s in ‘Nirvana’ with the manner of his dress and his indifference to the madness that is unfolding around him! Every so often he fires a well-aimed kick at the body (or head) of an unsuspecting audience member who has just fallen over his own legs – or some part of GG Allin’s anatomy! All Grist for the mill. 

How GG Allin Was Inspired by The Beatles! (26.4.2023) 

On the Jane Whitney (who?) Show – GG Allin gives a magnificent diatribe about overthrowing the Establishment and defying the Police – and then spoilt it all by stating that he ‘f’cks’ 16-year-old, 11 and 12-year-old ‘girls’ – and that they ‘like it’ and ‘volunteer’ for him to carry out this delinquent behaviour! During 1993 America – the time of Waco – the American audience just nervously ‘tittered’ when hearing this admittance of ‘paedophilia’ and ‘sexual assault’ – whilst the female Presenter simply rolls-on with her scripted Show! The main concern is not the supposed ages of the girls concerned – but rather the potential threat to his health through contracting AIDS and other sexually transmitted diseases!

F’cking GG Allin Up the Arse – A Tribute! (26.4.2023)

My mind’s a machine gun, my body’s the bullets and the audience is the target. (GG Allin)

I’ve sold my records outta shopping carts on the street. (GG Allin)

When I was writing it, I was remembering how hard it was to be a 16-year-old in high school. I always wanted to be an artist, so I was this loner kid who just got drunk all the time. I only had one real friend. There was a girl I really liked, and she ended up taking really sleazy photographs with her boyfriend, and that really crushed me, I was just swimming in this pit of despair, jealousy and alcoholism. (GG Allin)

Ian MacDonald: Revolution in the Head – Extracts Featuring Marx & Mao! (18.4.2023) 

Imperial Japan initiated military violence against the people of China between 1931-1945. This was a fascist expansion that spread throughout Asia and even threatened the US! I am told that around 60 million men, women and children were killed and wounded during these terrible years throughout China – a number that includes Europeans. A fact often ignored is the part that Yoko Ono’s family played in this era. Her family were ardent ultra-nationalists who supported this racist war. Yoko Ono defied the ‘racist’ attitudes of her family by entering into a relationship with a ‘White’ foreigner. Indeed, when touring Japan during 1966 (and before meeting Yoko Oni) – The Beatles would encounter this evil face of Japanese racism when they played the Budokan! Ultra-Nationalists in Japan threatened the life of The Beatles if they played in a sacred arena – as their ‘Whiteness’ threatened to spiritually ‘pollute’ the arena usually reserved for the devout practice of Japanese martial arts! Yoko Ono may have defied her parent’s anti-Western racism – but she definitely retained their attitudes pertaining to anti-China racism! All the evidence points to Yoko Ono attempting to ‘cure’ John Lennon of his infatuation with ‘Maoism’ (and of course, ‘May Pang’)!

The Beatles: What John Lennon Never Quite Managed to ‘Imagine’! (17.4.2023) 

The difference is that whereas Marx and Engels stood by the message inherent within their Revolutionary work – The Beatles steadfastly ‘stood apart’ from the Revolutionary message that is at the heart of their music! The capitalist system brought them off – but that is the nature of the music business and the entire point of all its machinations! The music industry generates very good capitalists but generally very poor Revolutionaries! It is as if the music itself, that is the collaborative effort, transcended the individuality of the four men who comprised The Beatles – and the general (limiting) attitudes of EMI! The interesting point is that The Beatles music remains dialectically forceful despite Paul McCartney’s Knighthood and all the other nonsense the Bourgeois State has draped around the historical image of The Beatles! Whether The Beatles like it or not, the music they produced in search of profit possesses a quality that ‘pierces’ through the very same ‘search for profit’! The music is itself a form of Revolutionary ‘force’ that John Lennon never quite managed to comprehend. Imagine that!  

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