Tag: gender

Russia: The Enigma of the Asiatic Giant Shigir Idol (Большой Шигирский идол) – Where Ancient Russians Really Seventeen-Feet Tall? (12.3.2023) 

I have heard a number of Slavic academics stating that they believe that some of the patterning on the exterior of the Great Shigir Idol constitutes a written ‘language’. If correct, this finding would constitute the world’s ‘oldest’ written language! I am not adverse to this idea and I believe such a suggestion requires further investigation! Based upon the mythology of the Ugrians, Natalia Chairkina sees in these images a reflection of a vertical model of the universe logically divided into the Upper, Middle and Lower worlds (similar to the ‘trigram’ and ‘hexagram’ of the Chinese book ‘Classic of Change’) – which accommodate seven spheres of empty space. Archaeologist Peter Van Petersen of the National Museum of Denmark has suggested that the idol may have served as a warning at the border of a forbidden territory to scare off invaders or undesirables – or to test the courage of an individual or group. A number of Archaeological experts also note the similarity of design with the monumental stone ruins in Göbekli Tepe in Turkey (which is of a similar age). As many of the marking are both difficult to see and ambiguous in design – it is currently very difficult to produce a definitive interpretation. The best policy is for everyone to ‘look’ at this remarkable structure themselves – and up their own mind. Conventional science has already proven its improbable age! Let’s follow Lenin’s example and sit in our kitchens and ‘think’ great thoughts!

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Film Analysis: The Strays (2023)! 

The central character of this film is a ‘Black’ woman whose history as a human being has obviously involved ‘mixing’ of various forms experienced by her ancestors. To what extent this has happened is a matter of debate and is certainly not discussed in the film, but the reality of her two original (biological) children being African looking suggests that the central character possesses genuinely ‘African’ genes and that the father of her children was also ‘Black’, etc. Indeed, her ‘Black’ children are a shocking contrast to the ‘White’ (middle-class) society she has infiltrated – particularly when compared to her ‘new’ children produced with her ‘White’ husband! Through their uncompromising attitudes and violent behaviour – her original ‘Black’ offspring are presented as positively ‘demonic’ – and it cannot be doubted that the writer of the film must have intended this to be the case! Again, playing upon ‘White’ sensitivities and ‘Black’ experience. The Bourgeois Establishment, as is usual for its double standards, has tended to avoid virtually any of the above issues, and instead has limited the assessment of this film to being that of a run of the mill script with no reality beyond the surface presentation! This may be termed a typical ‘White’ response of ‘denial’ when confronted with the progressive dynamics of Black intelligence!

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William Burroughs – My Lunch is Naked – So What? (21.2.2023)

For instance, William Burroughs (in his masterpiece ‘Naked Lunch’) argues that male homosexuality is a product of Matriarchy – whereby women ‘influence’ men (through a sort of cultural ‘osmosis’) to take on a female sexual orientation. Women deny they are doing this, of course, whilst perpetuating the camouflaging myth that they are the ones being oppressed by male ‘Patriarchy’ – the very attribute combined womanhood is destroying through this ongoing effeminate re-programming of men. The Bourgeois State accepts this female-concocted surface argument as a means to avoid acknowledging the real causes of Gayness, or the further suggested idea by William Burroughs that much of what passes as ‘deviant’ sexual behaviour in a post-industrial society (as decreed by the Bourgeois State and enforced by reactionary elements of the working class) – exist because those participating in such activities find them enjoyable and fulfilling.

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