Tag: Totem

Archery as an Ancient Art!

Daoism: Archery in the Central Plains! (5.3.2024)

Indeed, as a distinct body of rituals – Confucianism is older – with Daoism developing later. The problem is that historical elements of both ideologies exist within China’s early history. These elements eventually diversified into specific and distinct schools of thought – that seem ‘different’ in practice (which they are) – whilst sharing similar or identical concepts. Term ‘道’ (Dao) exists in Confucian thought as well as in the musings of Laozi and Zhuangzi! Above is my short research paper on the ‘中’ (zhong1) ideogram in relation to archery and ‘hitting the target’.

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Dialectically Assessing Religious History! (16.7.2023)

An intuitive (collective) grasp does not constitute a material consensus. Of course, the work of Marx and that of the Bourgeois intellectuals featured above does intersect. Marx, however, must be ‘ignored’ because his method (if pursued to its logical conclusion) – not only exposes the inverted nature of religion – but also the inverted nature of the entirety of Bourgeois society (including those intellectuals who expose religion – but do not expose the predatory capitalism it creates and they rely on) because such an admittance would effectively end Bourgeois existence and see it subsumed within a Socialist Revolution!

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Russia: The Enigma of the Asiatic Giant Shigir Idol (Большой Шигирский идол) – Where Ancient Russians Really Seventeen-Feet Tall? (12.3.2023) 

I have heard a number of Slavic academics stating that they believe that some of the patterning on the exterior of the Great Shigir Idol constitutes a written ‘language’. If correct, this finding would constitute the world’s ‘oldest’ written language! I am not adverse to this idea and I believe such a suggestion requires further investigation! Based upon the mythology of the Ugrians, Natalia Chairkina sees in these images a reflection of a vertical model of the universe logically divided into the Upper, Middle and Lower worlds (similar to the ‘trigram’ and ‘hexagram’ of the Chinese book ‘Classic of Change’) – which accommodate seven spheres of empty space. Archaeologist Peter Van Petersen of the National Museum of Denmark has suggested that the idol may have served as a warning at the border of a forbidden territory to scare off invaders or undesirables – or to test the courage of an individual or group. A number of Archaeological experts also note the similarity of design with the monumental stone ruins in Göbekli Tepe in Turkey (which is of a similar age). As many of the marking are both difficult to see and ambiguous in design – it is currently very difficult to produce a definitive interpretation. The best policy is for everyone to ‘look’ at this remarkable structure themselves – and up their own mind. Conventional science has already proven its improbable age! Let’s follow Lenin’s example and sit in our kitchens and ‘think’ great thoughts!

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