Trotskyism: Counter-Revolution In Disguise – Chapter IX ‘The Chinese Revolution’ – By MJ Olgin! (5.6.2023)

A Trotskyite society is a ‘White’ dominant (racist) hierarchy which uses liberal democracy as a ‘front’ to hide its preference for ‘Fascism’. White Trotskyites aim to recruit non-White members by using deception and dishonesty – whilst subordinating these people to ‘White’ rule! Non-White Trotskyites must internalise ALL the racist viewpoints promulgated within the Trotskyite movement by the dominant ‘Whites’ – and ‘pretend’ that these demeaning neo-imperialist and neo-colonial attitudes are in their best interests! All Trotskyites are anti-Chinese and they justify this racism through the opinions and attitudes of its founder – the ‘Zionist’ Leon Trotsky! When confronted with this most deceptive form of Trotskyite fascism – we simply close our ranks – steady our formations and hold the Red Flag higher! Joseph Stalin understood exactly what Trotsky was doing and took direct actions against him, his followers, the Zionists and the capitalists that backed him!

Film Analysis: The Strays (2023)! 

The central character of this film is a ‘Black’ woman whose history as a human being has obviously involved ‘mixing’ of various forms experienced by her ancestors. To what extent this has happened is a matter of debate and is certainly not discussed in the film, but the reality of her two original (biological) children being African looking suggests that the central character possesses genuinely ‘African’ genes and that the father of her children was also ‘Black’, etc. Indeed, her ‘Black’ children are a shocking contrast to the ‘White’ (middle-class) society she has infiltrated – particularly when compared to her ‘new’ children produced with her ‘White’ husband! Through their uncompromising attitudes and violent behaviour – her original ‘Black’ offspring are presented as positively ‘demonic’ – and it cannot be doubted that the writer of the film must have intended this to be the case! Again, playing upon ‘White’ sensitivities and ‘Black’ experience. The Bourgeois Establishment, as is usual for its double standards, has tended to avoid virtually any of the above issues, and instead has limited the assessment of this film to being that of a run of the mill script with no reality beyond the surface presentation! This may be termed a typical ‘White’ response of ‘denial’ when confronted with the progressive dynamics of Black intelligence!